An interactive website built around the phrase For What It's Worth. The project turns a familiar saying into a space for redefining value, moving between language, choice, and emotional risk. Made for Core 2: Interaction in Betty Wang's class.
A speculative collaboration between Slawn and the New Museum, built as a small visual system across exhibition imagery, merch, and environmental mockups. The project imagines how a messy, character-driven graphic language could move from object to building to wearable thing.
A zine about the 'weird black girl' epidemic, using perforated french fold pages as both structure and attitude. The project treats publication design as a space for research, humor, specificity, and refusal, made for Advanced Research Seminar in Timo Kuzme's class.
A type specimen for Platform by Berton Hasebe, made for Core 1: Typography at Parsons School of Design in Prin Limphongpand's class. The project studies how a typeface can become a voice, not just through letterforms, but through pacing, scale, hierarchy, and the way a page asks to be read.
A political zine about how Putin's governing style, capturing courts, controlling media, and eliminating dissent, has traveled beyond Russia and been adopted by leaders in other countries. The project uses print as a compressed research object, holding history, warning, and pattern recognition in one place.
A motion, logo, and clothing design project built around the mantra Action Over Intent. The work translates a phrase into a wearable and moving identity, thinking about how type can become motivation, object, and personal reminder at the same time. Made for Core 1: Typography.
Noctis, named after the Latin word for night, is a digital exploration of memory, war, and the way the past is never truly lost, only waiting to be recalled. The website treats darkness as an interface condition: something that hides, reveals, stores, and returns. Made for Core 2: Interaction in Betty Wang's class.
A file-folder imitation book about what happens, what gets filed away, and what it means to be a Black creative moving through school, work, taste, expectation, and proof. The format borrows from administrative language while holding something much more personal and slippery.
A poster project for sustainable systems, using Olympic visual language to speak about climate, water, and public urgency. The work treats the poster as a fast signal: direct, graphic, and meant to be understood before the viewer has time to look away.